Betrachtung einer künstlerischen Position – Chris Korda
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Betrachtung einer künstlerischen Position – Chris Korda

Intro

Nach mehrjähriger Abwesenheit auf Ihrem Blog, hat Chris Korda dieses Jahr zwei Statements publiziert. Sie fassen Ihr Denken ein und lassen uns Ihr künstlerisches Werk klar sehen.

Sunday, August 9, 2020

Physicists predict ‚irreversible collapse‘

I have lived my entire adult life in the looming shadow of ecological and societal collapse. By the age of thirteen I already clearly visualized the primary drivers of collapse, overpopulation and over-consumption. I began writing and speaking about the danger of collapse in 1992, when this was still considered an extremely far-fetched hypothesis. Three decades later, collapse is now discussed openly in the mainstream media. I’m not motivated by schadenfreude and take no pleasure in being right.

It’s possible that I’ll be taken more seriously now, but this is cold comfort since collapse is by now almost certainly unavoidable, as two physicists recently demonstrated in an excruciating peer-reviewed paper for Nature, the gist of which was summarized for the lay person in the Vice article “Theoretical Physicists Say 90% Chance of Societal Collapse Within Several Decades.”

The first half of the paper is tough sledding for non-mathematicians, but the second half is math-free and relatively comprehensible. The section titled “Fermi’s paradox” confirms what I’ve been saying for years: that the reason we appear to be alone in the cosmos is because intelligence tends to snuff itself out, after an all-too-brief burst of irrational exuberance. As the paper puts it, “only civilizations capable of … [switching] from an economical society to a sort of ‘cultural’ society in a timely manner, may survive.” In other words, the only civilizations that make it through the bottleneck are those rare ones that prioritize collective long-term survival over individual short-term profit. Or as my video “Overshoot” puts it more succinctly, “intelligent life is a cruel joke.”

Thursday, June 25, 2020

On Consent

When Mahatma Gandhi was asked “What do you think of Western civilization?” he supposedly replied “I think it would be a good idea.” It’s a great line, but it misses a crucial point about civilization. Civilization is not primarily an ethical achievement, though in practice our ethics have improved remarkably, even just since the 18th century, when the breaking wheel was still a common method of execution and slavery was still a routine fact of life. But any ethical progress we’ve made is a side-effect of our technical progress, not the other way around. Ethical rules are useless without the power to apply them, and that power comes from technical progress.

It all boils down to consent. Can sex with an animal be acceptable if it causes the animal no suffering? Many vegans would say no, because the animal can’t give consent. The deeper problem is that consent doesn’t actually exist for animals; it’s a legal conception that you need an education to appreciate. On the other hand if you say yes, now you’re on a slippery slope. What about raping someone who is completely anesthetized so that they don’t even realize it happened? Obviously most people wouldn’t accept this, and here the issue is clearly consent.

This is relevant because in order to succeed, civilization has to do many things without obtaining or even considering consent. For example, you didn’t consent to be made literate. If author William Golding („Lord of the Flies“) was even half right, you would have preferred to be a savage, and would have remained one if civilization hadn’t intervened. Civilization obliges people to do “unnatural” things, in fact that’s its mission in a nutshell. Freud explored this fundamental tension in his classic “Civilization and Its Discontents.”

Science starts from the premise that our senses are unreliable, which they in fact are. As recently as the 16th century, it was still reasonable to believe that the sun orbits the earth, because that’s how it appeared to the naked eye. The heliocentric model ultimately prevailed because technical progress (in the design and manufacture of lenses) made it impossible to deny that it was a better explanation of observed phenomena. This leads to the essential point, which is that science has necessarily co-evolved with technology. You simply can’t have one without the other.

Of course this spoils the utopian daydream that science can somehow exist without power plants and copper mines and chemical refineries and microchip factories. Nope! We need all that stuff to do science, and science of course made all that stuff possible. So it’s a vicious circle, a positive feedback, and that co-evolution is what brought us social progress. Monarchy gradually replaced aristocracy because monarchy was less hostile to progress. But eventually monarchy also became a limiting factor. The notion that all individuals have inalienable rights only dates back to the American and French revolutions. These revolutions (or something like them) were inevitable, because the resulting ethical and legal advances were prerequisites for further progress.

Social progress is both a result of, and a necessary condition for civilization, and also co-evolved with science and technology. The institution of slavery ultimately failed not only because it was unethical but also because it was too inefficient to be compatible with progress. Soviet communism failed for similar reasons. To function properly, technological society requires well-educated and reasonably independent citizens capable of assimilating information, thinking critically, and disseminating new information in response. That’s why you were taught to read and do arithmetic even if you hated it, and why this absence of consent isn’t considered a crime. On the contrary, inhibiting a child’s education is illegal in civilized countries.

Similarly, you’re not asked to consent to laws against drunk driving, because society’s desire to prevent you from murdering random strangers on the highway outweighs your personal desire to drive drunk. The more antisocial a behavior is, the less likely that consent will apply to it. In an ideal world, consent would always be required, but we don’t live in an ideal world, and never will. Progress is nothing if not pragmatic.

Korda ist eine amerikanische Performancekünstlerin, Musikerin, Aktivistin und Reverend Ihrer eigenen Antihumanistischen Satire-Kirche Church of Euthanasia, deren einziges Gebot „You shall not procreate“ ist.

Mich – als zweifacher Vater – triggert das etwas und deshalb möchte ich mich nun näher mit Korda auseinandersetzen, eine Arbeit, die ich hier dokumentiere. Mal sehen, wo es mich hinführt.

Musik

Zunächst betrachten wir die Musik, die aktuellsten Werke und anschließend ein paar ältere Tracks Ihres Katalogs.

Church of Euthanasia

Die Church of Euthanasia (CoE) ist ein Projekt, eine Religionsgemeinschaft, die 1992 von Chris Korda gegründet worden ist.

In der Fortpflanzung, dem in die Welt setzen von immer neuen Menschen, die in eine ausgebeutete Welt kommen, erkennt die CoE ein Verbrechen und deshalb ist ihr einiges Gebot: „Du sollst dich nicht fortpflanzen.“

Mit Fernsehauftritten (etwa bei Jerry Springer) und dem Crashen von Demonstrationen vor Abtreibungskliniken, wurde die CoE schnell bekannt und gefürchtet.

https://www.churchofeuthanasia.org/

https://de.wikipedia.org/wiki/Church_of_Euthanasia

Chris performative und konzeptionelle Arbeit wird auf dem Internet Archive von Ihr selbst dokumentiert, dazu hier ein Link:

https://archive.org/search.php?query=creator%3A%22Chris+Korda%22

In der weiteren Recherche stieß ich auf diesen Podcast von Amanda Sukenick und Mark J. Maharaj, in dem Chris Korda von den Interviewenden als Jemand begriffen wurde, der er nicht ist.

https://www.exploringantinatalism.com/episodes/

Antinatalismus, Sodomie und Suizid sind wahrlich keine bequemen Themen. Die Antinatalisten die mir bisher untergekommen sind, waren äußerst toxisch und ich bin deshalb voreingenommen. Wenn mir ein misanthroper Neckbeard ein Video schickt, das impliziert, ich sollte meine Kinder lieber töten als Vegan werden, weil das eine größere Ressourceneinsparung bedeutet, dann werde ich kein Freund mehr mit solchem Gedankengut.

Resümee

Chris Korda war und ist Ihrer Zeit voraus. Die Bedeutung ihrer Arbeit ist für den Großteil der Bevölkerung noch nicht zu erkennen. Ihre mathematisch präzise elektronische Musik ist komplex wie die Themen, die Sie seit Jahrzehnten umtreiben und es fällt leichter unbequeme Werke und Wahrheiten abzulehnen, auszublenden und genau das passiert auch in der Presse, die ich über Sie gelesen habe.

Schnell wird mit der Nazi-Keule geschwungen, wenn man die historisch „relativ frischen“ Gräuel in Konzentrationslagern als Referenz und Vergleich heranzieht. Roger Hallam, Begründer der Extinction-Rebellion-Bewegung, wurde so mundtot gemacht und man fand die Möglichkeit sein Werk nicht auf den deutschen Markt bringen zu müssen.

https://www.welt.de/politik/deutschland/article203722910/Extinction-Rebellion-Gruender-legt-mit-neuen-Holocaust-Relativierungen-nach.html

https://www.spiegel.de/kultur/gesellschaft/roger-hallam-verlag-zieht-buch-des-extinction-rebellion-mitgruenders-zurueck-a-1297429.html

Weiterführende Links:

https://www.chriskorda.com/
https://www.churchofeuthanasia.org/
https://en.wikipedia.org/wiki/Church_of_Euthanasia
https://www.youtube.com/channel/UChXTFq_BswLQ-__0KgHsywg
https://www.facebook.com/rev.chris.korda/
https://twitter.com/victimofleisure
https://twitter.com/chris_korda
https://www.instagram.com/chriskorda/
https://www.instagram.com/victimofleisure/
https://www.vice.com/en/article/bnppam/save-the-planet-kill-yourself-the-contentious-history-of-the-church-of-euthanasia-1022

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